Stílusok

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Hi-NRG

Hi-NRG is a fast variation of disco that evolved in the '80s. Driven by a fast drum machine and synthesizers, Hi-NRG was essentially a dance-oriented music with only slight hints of pop. There would be a few hooks -- generally sung by disembodied vocalists wailing in the background -- but the emphasis of the music, like most dance music, was in the beat.

Jazz

Jazz has been called America's classical music, and for good reason. Along with the blues, its forefather, it is one of the first truly indigenous musics to develop in America, yet its unpredictable, risky ventures into improvisation gave it critical cache with scholars that the blues lacked.

Swing

While New Orleans jazz has improvised ensembles, when jazz started becoming popular in the 1920s and demand was growing for larger dance bands, it became necessary for ensembles to be written down, particularly when a group included more than three or four horns. Although swing largely began when Louis Armstrong joined Fletcher Henderson's Orchestra in 1924 and Don Redman began writing arrangements for the band that echoed the cornetist's relaxed phrases, the swing era officially started in 1935 when Benny Goodman's Orchestra caught on.

Deep Funk

Deep funk is a term used to describe obscure funk recordings that appeal mostly to zealous collectors and groove fanatics. Like deep soul, the term deep funk can evoke the strongly African-American essence of the music, but deep funk also carries the connotation of a collector digging through crates of old records, looking for that special rare, underground find.

R&B vagy Rhythm and Blues

A Rhythm and Blues, R&B, R’n’B egy könnyűzenei műfaj, ami az 1940-es évek második felében, az amerikai blues új irányzataként született meg. A kifejezést a Billboard zenei szaklap vezette be az 1940-es évek végén. A Rhythm and Blues megtartotta a blues dallamvilágát és akkordsémáit, viszont ritmusa gyorsabb lett, a hosszúra nyúlt hangszeres improvizációk helyett egyre nagyobb szerepet kapott maga a dal, az ének.

Motown

The Motown label crafted a uniform house sound so instantly identifiable that "Motown" unequivocally became a style unto itself. During the '60s, Berry Gordy, Jr.'s Detroit label became the biggest independent in the music industry, thanks to its smooth, sophisticated blend of R&B and memorable pop melodies.

Philly Soul

Philly Soul was one of the most popular forms of soul music in the early '70s. Building on the steady groove of Hi Records and Stax/Volt singles, Philly soul added sweeping strings, seductive horns, and lush arrangements to the deep rhythms.

Disco

Disco marked the dawn of the modern era of dance-based popular music. Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song.

Jazz-Funk

In its earliest incarnation during the mid-'60s, Jazz-Funk was an earthy amalgamation of jazz and funky Southern soul, also heavily influenced by the proto-funk innovations of Sly & the Family Stone. In that respect, it was fairly similar to soul-jazz, but where soul-jazz was often content to lay back in the groove, jazz-funk drove forward with a stronger, more pronounced backbeat, as well as a more explicit devotion to the Stax/Volt brand of soul music (sometimes reflected in cover versions of popular soul hits).

Soul

Soul music was the result of the urbanization and commercialization of rhythm and blues in the '60s. Soul came to describe a number of R&B-based music styles. From the bouncy, catchy acts at Motown to the horn-driven, gritty soul of Stax/Volt, there was an immense amount of diversity within soul.

Funk

Named after a slang word for "stink," funk was indeed the rawest, most primal form of R&B, surpassing even Southern soul in terms of earthiness.

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